Set a fast Speed and a high Amount, for example, and you’ll hear the sort of seriously exaggerated pitch‑correction that puts you into Cher, T‑Pain or Trolls territory lower amounts and, particularly, slower Speeds will sound rather stealthier. MetaTune defaults to using standard concert pitch (A=440Hz) but this can be changed using a slider at the bottom right of the GUI. Tuning also defaults to the chromatic scale, but another panel, this time opened from the bottom of the GUI, allows you to select a different key/scale combination for MetaTune to use as its pitch targets. Notes within the currently selected key are helpfully highlighted in purple and you can also toggle notes on/off using the keyboard, if you want to manually include or exclude specific notes.
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What they found, was that in order to transparently add level to a mix, a dynamic and intelligent transient saturation system would have to be developed.MetaTune gives you full control over the key/scale used for the pitch‑correction process.If you don’t know what the key/scale combination is for your vocal/project MetaTune can also help you work out which one will work best. After several months of study and hundreds of listening tests, they made some fascinating discoveries. They started by researching saturation curves and their effect on various types of transient material. Two years ago Steven Slate and expert algorithm engineer Fabrice Gabriel started working out the concept for a digital audio process that could increase the level of a mix without altering the punch and dynamic feel, or make the mix sound squashed and lifeless. Both static saturation and clipping have a small window of gain maximizing before audible distortion. Clipping greatly reduces low end punch and is very poor at retaining sub bass. Static saturation curves are not universal in their ability to sound good on all transients.
However, both of these methods, while better then peak limiting, have their downfalls. VMR 2.0 ships with the Mix Bundle One, which contains four Slate Digital processing modules: FG-401 Compressor, FG-S EQ, FG-116 FET Compressor and FG-N EQ.
But even beyond the sound you can get with VMR 2.0, you also get the added bonus of speed and efficiency from having your entire processing chain in one convenient window. Learn in real-time alongside the biggest names. Get all the presets, plugins, and samples.
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Download entire multitrack sessions in your DAW of choice. Slate Academy is Slate Digital’s very own online audio masterclass portal. Unlimited Access to Slate Academy: The Industry’s Best Online Production School.
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